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Thursday, July 9, 2020 | History

3 edition of Experimental research in the psychology of music, 7. found in the catalog.

Experimental research in the psychology of music, 7.

Edwin Gordon

Experimental research in the psychology of music, 7.

by Edwin Gordon

  • 159 Want to read
  • 22 Currently reading

Published by University of Iowa Press in Iowa City .
Written in English

    Subjects:
  • Music -- Psychological aspects -- Periodicals.

  • Edition Notes

    Includes bibliographies.

    StatementEdwin Gordon, editor.
    SeriesUniversity of Iowa studies in the psychology of music -- v.7
    The Physical Object
    Paginationvii, 179 p.
    Number of Pages179
    ID Numbers
    Open LibraryOL22364713M
    ISBN 100877450188

    Experimental Psychology Methods of Research. Expertly curated help for Experimental Psychology Methods of Research. Plus easy-to-understand solutions written by experts for thousands of other textbooks. *You will get your 1st month of Bartleby for FREE when you bundle with these textbooks where solutions are available ($ if sold separately.). Millard F Mann. I’ve always considered the classic Methods of Research In Social Psychology by Aronson, Ellsworth, Carlsmith, and Gonzales as the ultimate guide. Also Unobtrusive Measures by.

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    This book examines the effects of music through descriptions of musicians, patients, and others, describing a variety of unusual musical abilities, disabilities, and syndromes. Geared toward a general audience, the book does not require specialized knowledge, and it serves as an inspiring introduction to the psychology of music. Sloboda, J. Emotional Perception When Listening to Music. In , a research team at the University of Groningen in the Netherlands found that music deeply impacted what the listeners perceived were their emotions. The two lead psychologists asked participants to rank their happiness or sadness using emoticons.


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Experimental research in the psychology of music, 7 by Edwin Gordon Download PDF EPUB FB2

Experimental research in the psychology of music (University of Iowa. Studies in the psychology of music, v. 6-) [Gordon, Edwin] on *FREE* shipping on qualifying offers. Experimental research in the psychology of music (University of Iowa.

Studies in the psychology of music, v. 6-)Cited by: 4. An investigation of the stability of musical aptitude among primary-age children / Robert DeYarman --Fourth-year and fifth-year final results of a longitudinal study of the musical achievement of culturally-disadvantaged students / Edwin Gordon --The effects of tonal pattern training on the performance achievement of beginning wind instrumentalists / Carol B.

MacKnight --An experimental analysis of the development of tonal. ISBN: OCLC Number: Description: vii, pages illustrations, music. Contents: Preface --A computer simulation of musical performance adjudication / Warren C. Campbell --The rhythmic perception of micro-melodies: detectability by human observers of a time increment between sinusoidal pulses of two different, successive frequencies.

Additional Physical Format: Online version: Gordon, Edwin, Experimental research in the psychology of music. Iowa City, University of Iowa Press [ ISBN: X OCLC Number: Description: vii, pages illustrations, music 23 cm.

Contents: Preface --A study of ability in spontaneous and prepared jazz improvisation among students who possess different levels of musical aptitude / Joseph James Briscuso --An investigation of the effect of the provision of the "In doubt" response option on the reliability and.

ISBN: X OCLC Number: Description: pages. Contents: An experimental analysis of the development of rhythmic and tonal capabilities of kindergarten and first grade children / Robert M.

De Yarman --Third-year results of a five-year longitudinal study of the musical achievement of culturally-disadvantaged students / Edwin Gordon --The nature of absolute pitch. Diana Deutsch is Professor of Psychology at the University of California, San Diego, and conducts research on perception and memory for sounds, particularly music/5(6).

: Experimental Research in the Psychology of Music Vol. 9 (): Gordon, Edwin: BooksCited by: 4. The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables.

The book is intended as a comprehensive reference. The Psychology of Music draws together the diverse and scattered literature on the psychology of music. It explores the way music is processed by the listener and the performer and considers several issues that are of importance both to perceptual psychology and to contemporary music, such as the way the sound of an instrument is identified regardless of its pitch or loudness, or the types of.

The psychology of music has had a presence in the Music Faculty sinceand was firmly established in with the appointment of Eric Clarke as Heather Professor of Music. Eric Clarke has research interests in the psychology of performance, ecological approaches to music perception and musical meaning, the psychology of musical rhythm.

This subject will encompass an initial exploration of music psychology research. Selected researchers within the field, including music therapists, behavioural neuroscientists, neuropsychologists, and experimental psychologists will outline recent and current practical research involving music across the.

The psychological study of music reading is atypical of music perception studies in two ways. First, this chapter identifies a clearly defined behavioral goal in most non-laboratory music reading situations. This is not the case for many music listening behaviours.

Second, the object of perception is visual, not auditory. The first of these features provides the investigator with some. Psychology of Music publishes peer reviewed papers directed at increasing the scientific understanding of any psychological aspect of music.

These include studies on listening, performing, creating, memorising, analysing, describing, learning, and teaching, as well as applied social, developmental, attitudinal and therapeutic studies. The book shows that the psychological study of music reading is an important area of the psychology of music which nevertheless has bearing on central theoretical and practical issues in music.

It offers one important route to a better understanding of the nature of musical cognition itself. "The book combines cutting edge scientific research with the accessibility of a TED-talk, it is a fascinating insight into our relationship with music" Waterstones Read more» Studying music psychology.

The Psychology of Music, Third Edition, is a comprehensive reference for understanding the perception, cognition, and performance of music. The first edition became the calling card for the establishment of the field, the second edition was extremely well-reviewed, and the third edition is now 80% revised, incorporating what are now standard areas of study on pitch, rhythm, scales, etc, with Reviews: 5.

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The principle is that old pedagogic one of learning by doing. Secondly, there is a need for an introductory text on statistics, research design and experimental work for the many students who meet psychology and social science for the first time.

Neuropsychologist Daniel Levitin, PhD, studies the neuroscience of music and how music affects our mental and physical n is a professor of psychology, behavioral neuroscience and music at McGill University in Montreal. He is the author of the book “This Is Your Brain on Music.”Levitin has degrees in cognitive psychology and cognitive science from Stanford University and the.

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Seashore. Book. Basic survey of experimental, observational physical data and interpretation: physical acoustics, auditory apparatus, sound perception, mental ''editing' of sound tests, absolute pitch, analysis of instrumental and vocal sound and a host of other topics.

For psychologists, musicians and physicists. 88 figures. pgs.